{"id":3588,"date":"2020-02-18T22:39:03","date_gmt":"2020-02-18T21:39:03","guid":{"rendered":"http:\/\/koszur.net\/?p=3588"},"modified":"2021-11-22T16:04:14","modified_gmt":"2021-11-22T15:04:14","slug":"chasing-the-dragon-audiophile-recordings","status":"publish","type":"post","link":"https:\/\/koszur.net\/index.php\/2020\/02\/18\/chasing-the-dragon-audiophile-recordings\/","title":{"rendered":"Chasing the Dragon Audiophile Recordings"},"content":{"rendered":"\r\n<p>No i&#8230; do najnowszego kr\u0105\u017cownika szos, przyspawa\u0142 ch\u0142op dyszel, zaprz\u0105g\u0142 dwa konie, siad\u0142 na masce auta i krzykn\u0105\u0142:<\/p>\r\n\r\n\r\n\r\n<p>&#8211; Wio!<\/p>\r\n\r\n\r\n\r\n<p>Wiatr zerwa\u0142 czapk\u0119 z g\u0142owy, resztki spod ko\u0144skiego ogona rozp\u0142aszczy\u0142y si\u0119 na ch\u0142opskim czole, ale jazda by\u0142a kawaleryjska!<\/p>\r\n\r\n\r\n\r\n<p>****<\/p>\r\n\r\n\r\n\r\n<p>Z wyobra\u017ani\u0105 zawsze mia\u0142em k\u0142opoty.<\/p>\r\n\r\n\r\n\r\n<p>Ona ze mn\u0105 &#8211; \u017cadnych. Nie liczy\u0142a si\u0119 z tym, co ludzie powiedz\u0105, gdy bezwolnie wyg\u0142osz\u0119 ten czy inny pogl\u0105d. Bynajmniej &#8211; mnie m\u00f3j. Tylko mojej wyobra\u017ani.<\/p>\r\n\r\n\r\n\r\n<p>Przyjaciel psychiatra ju\u017c dawno za\u0142ama\u0142 r\u0119ce.<\/p>\r\n\r\n\r\n\r\n<p>&#8211; Nie na moj\u0105 g\u0142ow\u0119 twoja \u0142epetyna&#8230;<\/p>\r\n\r\n\r\n\r\n<p>Hm&#8230; Dlaczego powiedzia\u0142: \u0142epetyna? A o swojej &#8211; g\u0142owa&#8230;?<\/p>\r\n\r\n\r\n\r\n<p>Czy aby jednak wyobra\u017ania mie\u015bci si\u0119 w g\u0142owie (mojego przyjaciela) lub we \u0142bie &#8211; je\u015bli m\u00f3wimy o mnie? Sk\u0105d to rozr\u00f3\u017cnienie? A kto to udowodni\u0142? A mo\u017ce ona wczepi\u0142a si\u0119 zupe\u0142nie gdzie indziej? Ale gdzie? Mam wymienia\u0107 potencjalne cz\u0142onki?<\/p>\r\n\r\n\r\n<hr \/>\r\n\r\n\r\n<p>Kiedy\u015b wpad\u0142a mi w r\u0119ce ksi\u0105\u017cka z cudownymi przepisami na niezwyk\u0142e dolegliwo\u015bci. Szukam: wyobra\u017ania&#8230; Nic. Ale na nagniotki i \u015bwierzb &#8211; dziesi\u0105tki recept. Czy to znaczy, \u017ce z wyobra\u017ani\u0105 ludzie w dawnych czasach nie mieli problem\u00f3w?<\/p>\r\n\r\n\r\n\r\n<p>Dosta\u0142em dobr\u0105 rad\u0119: wyjd\u017a z siebie i wtedy, z dystansu, przyjrzyj si\u0119 sobie. Zawsze te\u017c b\u0119dziesz wtedy m\u00f3g\u0142 to czy owo sobie poprawi\u0107 albo naprawi\u0107.<\/p>\r\n\r\n\r\n\r\n<p>Skorzysta\u0142em. Stoj\u0119 przed sob\u0105 i co najwy\u017cej r\u0119k\u0119 sobie sam z\u0142ama\u0107 mog\u0119. Po wyobra\u017ani &#8211; ani \u015bladu.<\/p>\r\n\r\n\r\n\r\n<p>Menda jedna&#8230; Gdzie ona jest?<\/p>\r\n\r\n\r\n\r\n<p>Gdybym ja chcia\u0142, \u017ceby mnie nikt nie znalaz\u0142 &#8211; schowa\u0142bym si\u0119. A gdybym si\u0119 ba\u0142 &#8211; skry\u0142, zaszy\u0142 gdziekolwiek. Ale moja wyobra\u017ania nie mo\u017ce wiedzie\u0107, \u017ce ch\u0119tnie bym jej \u0142eb ukr\u0119ci\u0142 (ile ich ma?). Ona si\u0119 ze mn\u0105 wog\u00f3le nie kontaktuje. Raz jej naubli\u017ca\u0142em z u\u017cyciem wyraz\u00f3w kancelaryjno-magazynowych! Tak, oczywi\u015bcie. Ale nawet nie odburkn\u0119\u0142a.<\/p>\r\n\r\n\r\n\r\n<p>Kompletne mnie ignoruje. A raz, kiedy nie wzi\u0105\u0142em parasola, com go w kratk\u0119 (to znaczy on jest w kratk\u0119), a ja go pod choink\u0119 dosta\u0142em &#8211; ola\u0142a mnie deszczem tak, \u017ce w pewnej cz\u0119\u015bci garderoby m\u00f3g\u0142bym sobie niewielkie akwarium wyrychtowa\u0107.<\/p>\r\n\r\n\r\n\r\n<p>*******<\/p>\r\n\r\n\r\n\r\n<p>OK.<\/p>\r\n\r\n\r\n\r\n<p>Mia\u0142o by\u0107 o nagraniu audiofilskim.<\/p>\r\n\r\n\r\n\r\n<p>Mike Valentine nie ma problem\u00f3w z wyobra\u017ani\u0105. Jest cz\u0142owiekiem tre\u015bci i konstrukcji, praw fizyki i elektryki, skutecznym eksperymentatorem.<\/p>\r\n\r\n\r\n\r\n<p>Zebra\u0142 stare mikrofony. Te legendarne. Te, kt\u00f3re utrwali\u0142y miliony godzin muzykowania zespo\u0142\u00f3w i solist\u00f3w najs\u0142ynniejszych wytw\u00f3rni p\u0142ytowych z po\u0142owy XX wieku.<\/p>\r\n\r\n\r\n\r\n<p>Stare klamoty pod\u0142\u0105czy\u0142 do najnowszych konstrukcji cyfrowych, rejestruj\u0105cych d\u017awi\u0119k. I pow\u0119drowa\u0142 do miejsc, w kt\u00f3rych przed ponad p\u00f3\u0142wieczem realizowano s\u0142ynne koncerty oraz recitale.<\/p>\r\n\r\n\r\n\r\n<p>Nagra\u0142 nowy materia\u0142.<\/p>\r\n\r\n\r\n\r\n<p>I wszystko wyda\u0142 na p\u0142ycie.<\/p>\r\n\r\n\r\n\r\n<p>Tej w\u0142a\u015bnie.<\/p>\r\n\r\n\r\n\r\n<p>*****<\/p>\r\n\r\n\r\n\r\n<p>(&#8230;&#8230;&#8230;&#8230;) &#8211; i tyle.<\/p>\r\n\r\n\r\n\r\n<p>Prosz\u0119? Nic nie wida\u0107 ani nie mo\u017cna przeczyta\u0107?<\/p>\r\n\r\n\r\n\r\n<p>Te\u017c to zauwa\u017cy\u0142em.<\/p>\r\n\r\n\r\n\r\n<p>Wyobra\u017ania&#8230; oniemia\u0142a na ten d\u017awi\u0119k.<\/p>\r\n\r\n\r\n\r\n<p>Czyli &#8211; jest poskramialna?<\/p>\r\n\r\n\r\n\r\n<p>Ha! A mo\u017ce ona jest form\u0105 kitu, kt\u00f3ry dope\u0142nia i wype\u0142nia braki i luki orygina\u0142u?<\/p>\r\n\r\n\r\n\r\n<p>Zanika, gdy staje wobec dzie\u0142a sko\u0144czonego?<\/p>\r\n\r\n\r\n\r\n<p>Zaraz, pos\u0142ucham jeszcze raz&#8230; Niech sp\u0142onie w u\u015bcisku fakt\u00f3w&#8230;<\/p>\r\n\r\n\r\n\r\n<div class=\"samples\" id=\"mainwrap\">\n                <div id=\"nowPlay\">\n                    <span id=\"npAction\">Paused...<\/span><span id=\"npTitle\"><\/span>\n                <\/div>\n                <div id=\"audiowrap\" class=\"row\">\n                    <div id=\"audio0\" class=\"col-md-9\">\n                        <audio id=\"audio1\" preload controls>Your browser does not support HTML5 Audio! \ud83d\ude22<\/audio>\n                    <\/div>\n                    <div id=\"tracks\" class=\"col-md-3\">\n                        <a id=\"btnPrev\">&larr;<\/a><a id=\"btnNext\">&rarr;<\/a>\n                    <\/div>\n                <\/div>\n                <div id=\"plwrap\">\n                    <ul id=\"plList\"><\/ul>\n                <\/div>\n            <\/div>\r\n\r\n\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n\r\n\r\n<figure class=\"wp-block-audio\"><audio src=\"http:\/\/koszur.net\/wp-content\/uploads\/2016\/02\/01.mp3\" controls=\"controls\"><\/audio><\/figure>\r\n\r\n\r\n\r\n<p>&nbsp;<\/p>\r\n\r\n\r\n\r\n<p>1. Chamber Orchestra: Vivaldi&#8217;s Concerto for 2 Mandolins<br \/>In the early 1950&#8217;s Decca engineers were experimenting with stereo recording techniques. Using 3 omni directional Neumann M50 microphones, their system became know as the &#8222;Decca Tree&#8221;. The same &#8222;Decca Tree&#8221; has been used here to capture Vivaldi&#8217;s wonderful composition. This approach also re-creates the warmth of the monastery were it was recorded in Venice.<\/p>\r\n\r\n\r\n\r\n<p>2. Choir and Organ: Schubert&#8217;s Ave Maria<br \/>Chelmsford Cathedral in England has a wonderful organ, which in this recording is combined with their own choir. Just two M50 omni directional mics were used. Known as a &#8222;spaced pair&#8221; they are really successful at capturing the atmosphere of the church. The choir were placed in front of the organ and recorded at night to reduce traffic noise.<\/p>\r\n\r\n\r\n\r\n<p>3. Cello Interior: Bach&#8217;s Cello Suite No. 1<br \/>In an English church, 3 M50&#8217;s were set up to record cellist Justin Pearson performing Bach&#8217;s Prelude. Between the mic, a Jecklin Disc was placed. This increased the separation of the spaced pair. The acoustics of the church are wonderful!<\/p>\r\n\r\n\r\n\r\n<p>4. Cello Exterior: Bach&#8217;s Cello Suite No. 1<br \/>The same microphones, performer, cello and the same piece of music&#8230; but this time recorded outside in the graveyard! How important are acoustics? What would it sound like to be able to remove the church from the last recording? Compare the tracks to hear for yourself the results of this interesting experiment!<\/p>\r\n\r\n\r\n\r\n<p>5. Harp: Watching The Wheat<br \/>Invented by Alan Blumlein in the 1930&#8217;s this recording of a harp uses his &#8222;crossed pair&#8221; of figure 8 microphones. They are placed one on top of the other and stereo positioning can be accurately captured. The microphones are just as sensitive to the rear as to the front therefore a really good all round acoustic space should be used.<\/p>\r\n\r\n\r\n\r\n<p>6. Organ: Widor&#8217;s Toccata and Fugue<br \/>Here is Widor&#8217;s war horse, performed in a large church in central London. Recorded during the day so you will hear some traffic noise! The organs air pump was also quite noisy however, the musical presentation of this great piece shines through! Two omni directional M50s with a lambs wool disc were placed in front of the pipes.<\/p>\r\n\r\n\r\n\r\n<p>7. Brass Band: Copland&#8217;s Hoe Down<br \/>A group of amateur brass musicians have come together to form East London Brass. They have won several prizes and here they have been recorded using the &#8222;Decca Tree&#8221; along with 2 spot mics on the percussion to capture their performance of this great piece. This simple recording technique also captures the excitement of this live performance.<\/p>\r\n\r\n\r\n\r\n<p>8. Soprano: Mozart&#8217;s Agnus Dei<br \/>The young award winning soprano Daisy Brown is recorded here in a large church performing this wonderful piece. The church organ provides a wonderful accompaniment to this piece.<\/p>\r\n\r\n\r\n\r\n<p>9. Piano Concert Hall: Ginastera&#8217;s Dazas Argentinas<br \/>There are many ways to record a piano. Here, a &#8222;spaced pair&#8221; of Neumann U47s have been used to capture the concert hall and another U47 as a single &#8222;spot mic&#8221; on the piano. These valve mics are over 50 years old in design. However, they seem to successfully capture the young Turkish student Suzan Senol&#8217;s youthful and vibrant performance.<\/p>\r\n\r\n\r\n\r\n<p>10. Piano Recording Studio: Davidson&#8217;s Improvisation<br \/>Unlike the purity of the concert hall with its natural acoustic space, the piano here in the recording studio was captured with 6 microphones. Two on the keys, two on the strings and two set back within the studio. Echo was then added electronically. This makes an interesting comparison to Piano Concert Hall: Ginastera&#8217;s Dazas Argentinas.<\/p>\r\n\r\n\r\n\r\n<p>11. Brass Ensemble: Mouret&#8217;s Rondeau<br \/>Mouret&#8217;s Rondeau is performed here by 5 musicians which were spread uniformly across the stage. From left to right are a trumpet, french horn, bass trombone, trombone and cornet. In a recording studio each musician would probably have had their own microphone. Here the ensemble were captured in a real acoustic space using the &#8222;Decca Tree&#8221;.<\/p>\r\n\r\n\r\n\r\n<p>12. Guitar: Bach&#8217;s Lute Suite No. 3<br \/>Turkish guitar student Sinan Kursun performs Bach&#8217;s Lute Suite in the ASSMM Concert Hall in Izmir Turkey. Two U47s were placed at the front of the stage to capture the ambience and another placed in front of the guitar. As the mics were recorded separately, it gave the opportunity of balancing the instrument within the acoustic space.<\/p>\r\n\r\n\r\n\r\n<p>13. Orchestra: Tchaikovsky&#8217;s Nutcracker Suite Pas De Deux<br \/>The &#8222;Decca Tree&#8221; was used as well as 2 mics added to the left and right at the front known as &#8222;out-riggers&#8221;. A spot mic was also added for the woodwinds.<\/p>\r\n\r\n\r\n\r\n<p>14. Jazz: Ellington&#8217;s Caravan<br \/>Piano, bass, trumpet and drums provide the core of jazz bands all over the world. Recorded in a small club in Izmir Turkey, Duke Ellington&#8217;s timeless piece provides all the musicians with an opportunity to perform their individual solos.<\/p>\r\n\r\n\r\n\r\n<p>15. Percussion: Kartari&#8217;s Improvisation<br \/>Take a variety of cymbals, bells and gongs and hand them from a frame made of boat oars. Now add Turkish percussionist Emre Kartari to the ingredients and play! From the quietist bell to the loudest gong, this piece should really push the abilities of your system. Watch your replay level&#8230; although it starts quietly, it really gets loud!<\/p>\r\n\r\n\r\n\r\n<p>16. Chamber Orchestra: Sarasate&#8217;s Tarantella<br \/>the &#8222;Decca Tree&#8221; has been used to record Sarasate&#8217;s ravishing Tarantella. To reduce reflections form the windows in this venetian monastery, 6 mattresses have been added. Mush to the amusement of the musicians! The &#8222;Decca Tree&#8221; is wonderful at capturing the should of the music and just as importantly, the acoustic space.<\/p>\r\n\r\n\r\n\r\n<p>&#8222;I have combined 50 year old valve microphones with a high resolution digital recorder, capturing a variety of acoustic tracks which should take you and your Hi-Fi system on an interesting journey!&#8221; &#8211; Mike Valentine, producer\/engineer<\/p>\r\n<p><img decoding=\"async\" style=\"border-style: groove;\" src=\"https:\/\/koszur.net\/wp-content\/uploads\/2020\/02\/dragon-2.jpeg\" alt=\"\" width=\"700\" height=\"607\" \/><\/p>\r\n","protected":false},"excerpt":{"rendered":"<p>No i&#8230; do najnowszego kr\u0105\u017cownika szos, przyspawa\u0142 ch\u0142op dyszel, zaprz\u0105g\u0142 dwa konie, siad\u0142 na masce auta i krzykn\u0105\u0142: &#8211; Wio! Wiatr zerwa\u0142 czapk\u0119 z g\u0142owy, resztki spod ko\u0144skiego ogona rozp\u0142aszczy\u0142y si\u0119 na ch\u0142opskim czole, ale jazda by\u0142a kawaleryjska! **** Z wyobra\u017ani\u0105 zawsze mia\u0142em k\u0142opoty. Ona ze mn\u0105 &#8211; \u017cadnych. Nie liczy\u0142a si\u0119 z tym, co [&hellip;]<\/p>\n","protected":false},"author":990004,"featured_media":7503,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[140,230],"tags":[142,262],"class_list":["post-3588","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nagrania","category-za-kulisa-muzyki","tag-audiophile","tag-cd"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Chasing the Dragon Audiophile Recordings - Marek Koszur<\/title>\n<meta name=\"description\" content=\"Chasing the Dragon Audiophile Recordings zamiast kupi\u0107 sobie tr\u0105b\u0119, faceci b\u0119d\u0105 wydawa\u0107 miliony, aby d\u017awi\u0119k tr\u0105by nagra\u0107 najwierniej jak mo\u017cna\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/koszur.net\/index.php\/2020\/02\/18\/chasing-the-dragon-audiophile-recordings\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Chasing the Dragon Audiophile Recordings - 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